Emma Neuberg’s triptych, Snakeskin, is one of several works by the artist showing in The Geometrics: Volume One alongside works by Melanie Bowles, Ele Carpenter, Bridget Harvey, Tanvi Kant, Katherine May, Marie Molterer, Marie O’Connor, Geraldine Peclard, Camille Walala and Clare Willard. Snakeskin, Emma Neuberg, silkscreen print and pastel on paper, 66cm x 180cm, 2010. Images by Emma…
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Emma Neuberg shows in SURFACE, curated by Kate Greenspon and Daisy McMullan, at Chelsea FutureSpace, alongside Brian Chalkley, Edward Cotteril, Vanessa Hodgkinson, Charlotte Jonerheim, Sanghyun Kim, Kangwook Lee and Mohammad Namazi. Emma shows four triptychs, Undergrowth, Riverbank, Rock and Rose, each one silk, polyester and wood, measuring 117cm x 66cm, 2012. Show runs 13th Feb – 14th April 2013. Photo credit: Kate…
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Four of Emma Neuberg’s triptychs that she created whilst Artist in Residence at Chelsea College of Art & Design were exhibited at the Young Master’s Art Prize in 2012. The show ran from 18th June – 4th July 2012 at Rupert Cavendish Antiques, Chelsea. The auction was hosted by Christie’s. Each piece, Undergrowth, Riverbank, Rock and Rose, is…
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Emma Neuberg exhibits four wall pieces in the Detours show, part of the AA2A project with Chelsea College of Art, alongside Laura Braun, Jonathan Gildersleeves, Danny Greaney, Nick Hornby, Carolyn Lefley, Kate Lyddon, Ryan McClelland, Tom Smith, Laura Taylor and Willem Weismann. The show was curated by Grazyna Dobrzanska-Redrup, Courtney Griffiths, James Harper and Daisy McMullan…
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Emma Neuberg’s Welcome to the New Improved Swissland piece is one of several by her on show at the Centre for Contemporary Art and the Natural World, Exeter. Other artists are Faith Kane, Alison Harper, Brenda Miller, Barbara Anderson, Charlotte squire, Eleanor Morgan, Jonnet Middleton, Julie Graves, Kim Thorton, Lucy Brown, Hugh Rock, Sue Bradley, Amy Houghton and Yuli Somme. The show ran 27 November 2010–…
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Emma Neuberg has been making animations since 1992. They combine pattern, colour and light in narrative loops. Here’s one based on a Japanese hemp leaf pattern that was shown at one of her digital animation workshops at the V&A.
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Emma’s recent grid drawings are increasingly abstract making reference to real and imagined worlds through titles such as Ravine and Consequences Denied. This one pictured is called Crushing Fever, a silkscreen print and pastel on paper measuring 76cm x 56cm, 2010. Photo by the artist, copyright 2010. All rights reserved.
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